Showing posts with label abstract. Show all posts
Showing posts with label abstract. Show all posts

January 28, 2010

A little knife music....

A facet of trusting the creative process is recapturing a sense of wonder, play, and discovery.

Using a pad of Strathmore Wet Media multipurpose paper I allowed myself the freedom and intention to play with color and the dynamic tactile variations of marks and strokes made with a palatte knife.

This simple, direct, kinetic exercise felt like a bold, uninhibited, spontaneous, dynamic dialog between the viscosity of the paint, the loading (and double loading) of the knife, and the movement and pressure of the stroke to paper.  Within the session I began to explore the relationship of my breathing, posture, and intention to the transfer of paint into kinetic marks onto a variably thirsty paper.  The resulting marks are fluid, dynamic and visually interesting.

This intuitive sketching process of exploring color and mark making feels wonderful (ask any 5 year old), and yields surprising insights both visually and into the nature of the materials themselves. This exercise points the way towards a process for building  experiential breathing/muscle/intention memories to inform future exploration and compositional applications.  Endless possibilities for exploring the infinite variability of dynamic marks in paint... It's like practicing my handwriting, but with absolutely no right or wrong, good or bad....just Is.   :)))

November 23, 2009

Tantramount I


copyright 2009 b. scott shaevel | studio712; This work is licensed under a Creative Commons License.

Quick abstract color study while calibrating a Wacom Intuos drawing tablet with an iMac and Corel Painter.

May 15, 2009

sketchbook;  ink and oil pastel; 4" x 4, Raffine paper

sketchbook;  ink and oil pastel; 4" x 4, Raffine paper
copyright 2009 b. scott shaevel | studio712;  This work is licensed under a Creative Commons License.

Two abstract pen and ink and oil pastel technique exercise sketches. These 4 x 4 sketches are done purely to explore different drawing and painting techniques with the media.

I've discovered the joy of drawing with a dip/fountain pen. I'll be exploring sketching more with the dip pen rather than the illustration drawing pens since the range of expressive line from the nib pen is incomparable. There is something very meditative about the surface tension and adjustments to hand pressure that occur between the stylus nib and the paper that is missing with the continuous flow pens. Also the rhythm of drawing and pausing to dip and resuming the drawing is relaxing and gives time for taking a breath to fuel the next line. The Raffine sketch paper holds up beautifully to multiple wet washes, pen and ink nibs, and scrafitto drawing into the oil pastel layers for an etched line texture and scratchboard-like technique for revealing underlying layers of color in line...("Scraffito" from the Italian word “to scratch”).

May 4, 2009

Ongoing study of contemporary masters for color chords and theory, composition, transitions, phrasing and edge control, and media application techniques.

color study | chord theme: last light |
hard and soft pastel | 5 x 7 Ampersand pastelbord

oil pastel | 5 x 7 Ampersand pastelbord


oil pastel | 5 x 7 Ampersand gessobord
copyright 2009 b. scott shaevel | studio712; This work is licensed under a Creative Commons License.

April 29, 2009



City hall 1 (study) |  4.28.09
acrylic, oil pastel, pastel pencil;  5 x 7 Ampersand pastelbord  
copyright 2009 b. scott shaevel | studio712; This work is licensed under a Creative Commons License.